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The Orchestra of the Accademia Nazionale di Santa Cecilia, conducted by Daniel Harding, presents Brahms’ Piano Concerto No. 1 with Igor Levit, a masterful interpreter of this repertoire. The program concludes with Elgar’s Enigma Variations, a poetic and ironic portrait of the English spirit.

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Rudolf Nelson and the Weintraub Syncoptators lead thru a short musical revue, featuring eccentric dancers, singers, and a small chorus-line.

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Here is the most convincing presentation of Brahms' symphonies that I personally have ever experienced. There is no explaining a gift like Leonard Bernstein, a true legend and one of the truly great ones of the 20th century (and a great Brahms conductor!). I have followed his career and recordings both at the NY Philharmonic and at Vienna (other places too). His brilliance and incandescence are revelatory in these Brahms performances. His view of a thorough-going romantic Brahms expressing his passionate control of an inner rage in classical form is convincing. He and this great Vienna orchestra give a consistent statement of it. And, of course, Bernstein's introductory comments are without peer.

A man, in need of money and too lazy to work for a living, marries a plain but rich girl in the knowledge that she is ill and has not long to live.

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